On becoming a composer
Customer Inquiry A customer of Gyre Music recently ordered several of my more serious works for solo guitar. And so, being pleased I might have a new and serious fan, I wrote directly to him to thank
Creativity – Rest Deeper
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Creativity as rest What I failed to note in a recent blog post, The Daily Rebound, is the need for creativity. Creativity is easily the deepest and most profound type of renewal. It is in a simple
Single String Etude #3 – vibration in the top
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Vibration is all Why do we play guitar – or music in fact? To feel vibration. That’s all it is. No vibration equals no sound, no feel, no emotion, no joy or sorrow. Nothing. So what matters
The Daily Rebound
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You missed the rebound! OK, you’re a guitarist, not a basketball player, yo-yo master or poker player. But you missed it, what now? Take a break and rest? Or play more hard defense, more scrambling for the
Shifting melodically on the guitar | Single String Etude #2
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Shifting to Learn Shifting is a technique that I believe should be taught very early in a guitarist’s studies. Fear of upper positions is created when we get stuck playing chords and arpeggios in first and second
Original Composition on Video
Recording Original Composition As I mentioned in a recent blog, I am setting out to record all of my compositions. Many of my solo works are on Gyre CDs, but much work is left to be done.
Lessons from Sketches I – Single String Etude #1
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Hi – I present here a series of videos to talk about my compositions and my approach to the guitar – mini lessons, if you will. They will be short, and to the point. If you want
Recording Vintage Classical Guitars
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Recording Guitar Videos My ongoing recording project with Vintage Classical Guitars, owned by Aaron Green, keeps getting more satisfying. The video below features one of the many great guitars I have played there, a 1970 Daniel Friederich.
Derelict Hands plays Duo Sonata #1 by Frank Wallace
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Russ Callison and Calum Borthwick form Derelict Hands. I had the pleasure of meeting them last summer in Glasgow Scotland to coach their performance and recording of my Duo Sonata #1. It is the first recording and forms
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